Beverly Hillbillie Icon Max Baer, Jr. Turns 87

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Beloved actor Max Baer, Jr. (who prefers to be known as just Max Baer) is now 87. Baer is best known for playing Jethro Bodine on the classic CBS sitcom, The Beverly Hillbillies, which originally aired from 1962 to 1971.

A Closer Look

Max Baer, Jr. portrayed Jethro, whose Uncle Jed Clampett (played by Buddy Ebsen) struck gold (“Texas tea”), and was fortunate enough to have “loaded up the truck and moved to Beverly . . . Hills, that is” — with the entire Clampett family, including Elly May (Donna Douglas) and Granny (Irene Ryan).

The young Mr. Bodine was always a hit with the ladies, more so upon moving to Beverly Hills, and especially in the eyes of Miss Jane Hathaway (Nancy Culp).

Miss Jane was secretary to banker Millburn Drysdale (Raymond Bailey), who guarded Jed’s millions. She always had a thing for Jethro — and wasn’t shy about expressing those feelings.

Ultimately, Miss Jane became the voice of “Everywoman” . . . meaning, every woman viewer at home who was attracted to Baer’s brawny and likable performance as Jethro.

Back Story

Born Maximilian Adalbert Baer Jr. on December 4, 1937, in Oakland, California, Max Baer, Jr.’s parents were champion boxer Max Baer and Mary Ellen Sullivan. He was married to Joanne Kathleen Hill from 1966 to 1971.

Baer’s first acting role was in a stage production of Goldilocks and the Three Bears at the Blackpool Pavilion in England in 1949. He earned a bachelor’s degree in 1959 in business administration from Santa Clara University (minored in philosophy). He began working in television in 1960, making guest appearances on shows like MaverickSurfside 6BroncoThe Roaring 20’sSugarfootCheyenneHawaiian Eye77 Sunset Strip, and Follow the Sun.

In 1962 Baer was cast as Jethro on Hillbillies, which CBS initially aired until the network opted to cancel as one executive put it “every show with a tree in it,” purging all country-geared programming for what was considered the more sophisticated shows that were surfacing at the time (e.g., Norman Lear’s All in the Family).

Between 1972 and 1991, Baer made guest appearances on shows like Love, American StyleFantasy IslandMatt Houston (on which Buddy Ebsen had a recurring role) and Murder, She Wrote. He wrote, produced, and acted in the 1974 hit film Macon County Line. He also produced, directed, and acted in The Wild McCullochs (1975) and produced and directed Ode to Billy Joe (1976).

In 1991 he purchased the rights to The Beverly Hillbillies name from CBS and has used the show’s theme and its characters for casinos, theme parks, restaurants, cosmetics, and consumables. With International Game Technology he has licensed Beverly Hillbillies–themed slot machines including “Clampett’s Cash,” “The Bubblin’ Crude,” and “Moonshine Money.” He’s currently still attempting to launch Beverly Hillbillies–themed casinos in Nevada.

Much wiser than his most famous TV male alter ego, Baer offered his exclusive insight into the extremely likable interpretation of Jethro Bodine, and how important a role the audience plays in the scheme of things with regard to an actor’s performance; especially a television audience:

“When you play a role like Jethro,” he said, “it’s for other people to judge because it’s pretty hard to be subjective or objective about yourself. You just do the best you can with the material that you’re given, and then you try to add to it [with your performance] as much as you possibly can. But in the end, it’s the audience who has the final say. Well, we liked what you did’ or ‘We don’t like what you did.’ And you really don’t have any other way of evaluating it.”

“As long as you give 100 percent,” he continued, “…even if you’re sick. Don’t bullshit, and say, ‘Oh, I can’t show up.’ You show up! You do your job — and you do it as if you aren’t sick … because it’s going to be on film in perpetuity. You’re not going to be able to put a little quote at the bottom of the screen saying, ‘Well, he wasn’t as good today because he was sick … or emotionally disturbed or had a headache.’ You have to give a good performance. You have to perform well. And, in my case [with Jethro], if I have made the people laugh — and even if they can laugh at my expense — it’s okay. I don’t care. They can laugh with me or at me. It doesn’t matter … just as long as they laugh. Because if I can make them laugh, then I believe that my performance was a successful one. I can’t evaluate it as to what degree of success it was. But I can say it did what it was supposed to do.”

Baer clearly did just that, winning over millions of Jethro fans for decades, including his Hillbillies costars, including fellow male costar Buddy Ebsen, about whom Baer once said, ‘To me, Buddy was the star of The Beverly Hillbillies.’

The Big Picture

The majority of the main stars of The Beverly Hillbillies stars are now gone, including Buddy Ebsen and Donna Douglas, who passed away in 2015. In 2013 Douglas spoke highly of both Ebsen and Baer:

“Buddy…he was the best! I had most of my scenes with him, he reminded me so much of my own dad. Once at the beginning of the show’s run, my dad went to town and someone yelled, “Hey Jed Clampett” to him. It was so precious, as my parents were so proud of my success! And then Max and I were with Buddy the night before he died at the hospital.

“Max Baer did well as Jethro because he didn’t come across as so dumb that you didn’t like him. He gave me a hard time then and still does. But we all were like a family. Max could complain about any one of us (for whatever reason), but do not let someone else say something about one of us. Boy — would Max really let that person have it. He’d defend us just like with a real family member.”

Lasting Impression

Today, Max Baer, Jr. is the last surviving member of The Beverly Hillbillies. Neither he or his fellow castmates from the show will never be forgotten by their legions of fans.

This article originally appeared on Newsbreak.com and was syndicated by MediaFeed.org

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8 Old-Timey Baseball Radio Podcasts, from Mysterious Crimes to “Clownpires”

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As the World Series between the Yankees and the Dodgers starts this weekend, I thought it’d be appropriate to share some baseball podcast episodes I’ve recorded for your listening pleasure. We’ve done A LOT of baseball-themed or baseball-linked programs over the past sixteen years. Detectives such as The Saint, Bulldog Drummond, and Boston Blackie have all had baseball-related capers. So this is not an exhaustive list by any means.

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My latest podcast, the Old Time Radio Snack Wagon, features bite-sized podcast episodes and we’ve already featured some baseball-related snacks.

Of course, we’ve featured Abbott and Costello performing their famous “Who’s on First” sketch.

Then, we also played an episode of The Adventures of Babe Ruth, a series dedicated to the most iconic player who ever lived. A man so larger-than-life that he inspired this series of fictitious and fictionalized adventures.

Most recently, we featured a rare 1947 interview of the Yankee Clipper, Joe DiMaggio, by a group of teenage baseball players from New York’s Police Athletic League.

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In the Great Detectives of Old Time Radio, the number of episodes that have some baseball tie-in is quite high. However, not every episode features a Baseball Hall-of-Famer, and in honor of both of this year’s World Series teams, we have shows featuring both a Yankee and a Dodger Hall-of-Famer.

In “The World Series Crime,” Ellery Queen is called in to find a star baseball player’s lucky bat before the start of a World Series game. Ellery Queen featured a panel of “armchair detectives” who would hear all the evidence that Ellery was provided and then guess at the solution before the radio audience was told who did it. One of the armchair detectives was Yankee second baseman and reigning American League MVP Joe Gordon. Gordon would go on in a few weeks to win the actual World Series that year.

Of course, Gordon didn’t act in the radio play. However, Dodgers legend Jackie Robinson did make a radio acting appearance in an episode of The Adventures of the Abbotts, in which Pat Abbott tries to solve the murder of a baseball catcher.

Of course, if you don’t care about Hall-of-Famers or your traditional baseball detective boilerplate stories, you might want to check out one of my favorite oddball episodes. It’s the only surviving episode of the New York anthology series The WOR Summer Playhouse. It’s a little story entitled “The Mystery Of The Perfect Throw From Left Field And The Conga Dancer’s Aunt.” It’s a quirky story about a part-time “clownpire” who can also play detective (and don’t even start to ask him about his day job).

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During the spring of 2020, when the Major League Baseball season was on hold due to the COVID-19 pandemic, I did my bit to alleviate baseball fans’ hunger with a six-week mini-series. I’ll highlight three of these.

Gary Cooper stars in The Lux Radio Theater adaptation of his classic film Pride of the Yankees, where he plays all-time baseball great Lou Gehrig, whose greatness on the diamond was only matched by his courage and class in dealing with the tragedy that ended his baseball career and would eventually cost him his life.

Destination Freedom was a Chicago-based Golden Age radio series that told the stories of Black Americans. In “The Ballad of Satchel Paige,” the series tells the story of one of the game’s all-time greats and larger-than-life figures with appropriately epic musical accompaniment.

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Whether you’re wanting to hear the voice of one of the game’s greats, relive a great story or hear a far-out adventure involving a Conga Dancer or an alien from outer space, I hope you’ll find these enjoyable listens, either in between games or when you get hungry for baseball in that long season when true fans are waiting for pitchers and catchers to report to spring training.

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